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BUDDHIST HERITAGE OF HARYANA

BUDDHIST HERITAGE OF HARYANA

By :- Devendra Handa

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Type: English

Pages: 124

Format: Hard Bound

ISBN-13: 978-81-7305-729-8

Edition: 1st

Publisher: ARYAN BOOKS INTERNATIONAL

Size: 22cm x 28cm

Product Year: 2025

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  • Book Description
  • Table Of Content
  • Authors Details


The present work is based on the lifelong study of the monumental, numismatic, art and other archaeological remains of Haryana by the author. Inspired by his discovery of a Buddhist stupa at Chaneti in 1964 at the beginning of his career, the author sustained an interest in the Buddhist heritage of the state and discovered other stupas at Kurukshetra and Asandh. While serving as the Deputy Director of the Department of Archaeology and Museums, Haryana, in 1984 (on deputation), he explored many of the ancient sites of the state, discovered a railing pillar at Bhuna indicating the existence of a Kushan stupa there and acquired numerous art remains for the department. Remains of Buddhist images and railing from Ahrwan near Ballabhgarh were discovered subsequently. Many stupas at Kurukshetra, some referred to by the Chinese pilgrim Xuanzang have disappeared, while the remains of some others at Rohtak, Lalpur and Ad Badri have been exposed in explorations and excavations in recent decades. Ivory, terracotta, semi-precious beads and various other relics in museums and private collections were also examined by the author, taking cognizance of the discoveries made by others.

Haryana occupies an intermediary position between Gandhara and Mathura, two very important centres of Buddhist art. There is growing evidence to indicate that the Gandhara and Mathura Schools did not live in isolation and had mutual influences. Punjab and Haryana, being intermediary between the two, must have served as their meeting ground. And hence the importance of the relics discovered from this region. The present work brings to light many stupas, railings, pillars, sculptures, terracottas and other antiquities, showing clearly that Buddhism continued to live here even after it declined on the mainland after the eighth century CE.

It is hoped that this monograph will help in understanding the story of the development and decline of Buddhism and Buddhist art in northern India and will evoke further research and discussion.  




Preface                       

Transliteration Table  

List of Illustrations

 

1.         INTRODUCTION         

2.         THE EARLY STUPAS     

3.         THE SAKA-KUSHANA PERIOD 

4.         THE GUPTA PERIOD   

5.         THE HARSHA EPOCH

6.         MEDIEVAL PERIOD     

Bibliography   

Index                


Devendra Handa is well-known to numismatists and art historians. He is the recipient of various medals, grants, fellowships and Lifetime Achievement Awards. Haryana Institute of Fine Arts honoured him with Karmayogi Samman in 2011-12.  He has contributed articles, research papers, notes, etc. to various national and international journals; felicitation and commemoration volumes; to the multi-volume Encyclopaedia of Hinduism of the Indian Heritage Research Foundation and some chapters to the eleven-volume series A History of Ancient India, published by Aryan Books International and the Vivekananda International Foundation. Presently, he is the Chief Editor of the Numismatic Digest.

He has authored more than a dozen books and edited an equal number of volumes, some jointly with others. His books published earlier by Aryan Books International include Jaina Bronzes from Hansi (2002); An Epic Pilgrimage: History and Antiquity of Pehowa – Ancient Pŗithūdaka  (2004); Sculptures from Haryana: Iconography & Style (2006); Tribal Coins of Ancient India (2007); Sculptures from Punjab (2011); Facets of Art, Iconography and Numismatics (2021); Chitreśvara-Śiva Type Coins: Classification and Attribution  (2022) and Indian Numismatics: Its Bearing on History, Culture, Art and Iconography  (2022).

 

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