Foreword — Princess Aswathy Thirunal Gouri Lakshmi Bayi
Editorial — Nanditha Krishna, Sudipa Ray Bandyopadhyay & D.S. Somashekhar
Introductory Note — Githa U. Badikillaya
Dr. Haripriya Rangarajan: A Profile — Radha Chakravarti
Reminiscences
Hats Off to a Great Scholar — R.D. Choudhury
Epitome of Vinaya — Maruti Nandan Tiwari
A Complete Human Being — Pheroza J. Godrej
The World – A Poorer Place Without Her — Nanditha Krishna
My Personal Chinnamasta — Rita Sridhar
A Motherly Persona — Sudipa Ray Bandyopadhyay
Mentor Friend and an Alter Mother — Gomathy Venkateswar
A Persona Like No Other — V. Balambal
A Towering Beacon of Inspiration — D.S. Somashekhar
1. Antiquity and Co-existence of Shramana and Vedic Traditions
— Maruti Nandan Prasad Tiwari
2. Hindu Influence on Goan Church Architecture
— K.K. Muhammed
3. Pillar Decorations in the Cave Temples of Badami
— Shrinivas V. Padigar
4. Sharvara, the Mystery Dog in Pallava Sculptures
— T. Satyamurthy
5. The Murals of India
— Benoy. K. Behl
6. The Atiyamān Cave Temples of Namakkal
— Nanditha Krishna
7. Portrayal of Devi Sri Lalitha and Her Chariot Sri Chakrarajaratha with Reference to the Text Shaktinidhi
— Choodamani Nandagopal
8. Cultural Interflow Between India and Bhutan – The Land of Guru
Padmasambhava Rimpoche
— Shashibala
9. Circle and Semicircle: Divine Geometry in Greco-Buddhist Art
— Arputharani Sengupta
10. Buddhist Art in the Museums of Russia
— Viktoria V. Demenova
11. The Sun – Lord of the Realm in Zoroastrianism and Hinduism
— Pheroza J. Godrej
12. Buddhism in Early Tamilakam: From Archaeological Sources
— K. Mavali Rajan
13. Iconographic Diversity of Umāliṅgana Sculptures from Northern Bengal:
An Assessment Based on the Collection of Akshaya Kumar Maitreya Museum
— Aniruddha Maitra
14. A Note on Shasta Icons from Kerala
— Ajit Kumar
15. The Horse in the Sculptural Art of Assam
— Paromita Das
16. Kogali Hoard of Jaina Bronzes: A Revisit
— C.B. Patil
17. Unique Narratives of the Neelakantheśvara Temple, Jambittige
— Purnima Srikrishna
18. Paṭṭadakal Pillar Inscription: A Study
— Sudipa Ray Bandyopadhyay
19. The Stages of Development of the Goddess Sarasvatī: From a Metaphysical Concept of a Female Cosmic Force to a Very Familiar Icon in Indian Art
— Gomathy Venkateswar
20. Step Wells of Medieval Karnataka: An Analytical Study
— G. Sarvamangala, G.C. Sadhashivappa & Jagadeesh
21. The Elite in Sculptural Art of Vijayanagara
— Priya Thakur
22. Iconometrics and Iconography of Bronze Icons from Chola Inscriptions
— G. Balaji
23. Analysis of the Contexts of the Sculptural Remains Reported from the Purulia District of West Bengal: A Case Study Based on Recent Exploration
— Shubha Majumder
24. Symbolism of the Didactic Gestures in the Jātakas of Bharhut (c. 2nd to 1st Century bce)
— Shreyashi Chaudhuri
25. Apasaras in Assamese Art
— Deepi Rekha Kouli
26. An Artististic Survey of Rajbari, Assam: Its Archaeological Significance in
Understanding its Culture
— Mrigakhee Saikia
27. Representation of Sakra in the Narratives of Early Archaeological Sites of
Eastern Deccan
— Sreyashi Ray Chowdhuri
28. The Sun Cult of Ancient Bengal: An Inscriptional and Artistic Analysis
— Shawttiki Ojha
29. Dice-playing and Its Representations in Classical Indian Art
— Shyamalkanti Chakravarti
30. Hoysala Inscriptions: Introducing the Artists
— H.S. Usharani
