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INDOLOGYS PULSE: ARTS IN CONTEXT: Essays Presented to Doris Meth Srinivasan in Admiration of Her Scholarly Research

INDOLOGYS PULSE: ARTS IN CONTEXT: Essays Presented to Doris Meth Srinivasan in Admiration of Her Scholarly Research

Edited By :- Corinna Wessels-Mevissen , Gerd J.R. Mevissen

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  • Available: In Stock

Type: English

Pages: xxx+444

Format: Hard Bound

ISBN-13: 978-81-7305-632-1

Place: New Delhi

Edition: 1st

Publisher: ARYAN BOOKS INTERNATIONAL

Size: 22cm x 31 cm

Product Year: 2019

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  • Book Description
  • Table Of Content
  • Authors Details


This volume is a tribute to Professor Doris Meth Srinivasan's profound scholarship and seminal writings, to which colleagues from various countries have contributed. Their topics, often referencingProf. Srinivasan's works, are presented from different angles of academic perspective and specialisation, namely, South Asian Art History, South Asian Architecture, Classical Indology (or Ancient Indian Philology), Archaeology, Numismatics, Cultural History, etc.
The book is prefaced with two in-depth forewords, by Professors Lokesh Chandra and Gérard Fussman. The former includes a discussion of the contents, while the latter details appreciation of Prof. Srinivasan's work and explores her subject matter and academic achievements. The honorand's complete bibliography is also provided. The chapters set out with studies of early historical periods (including pre- and protohistory). The largest section, “Investigating All Things Kushan”, coincides with Prof. Srinivasan's major field of specialisation, namely, Mathuran and Gandharan art. This rich terrain of cultural history and its vestiges will probably never cease to provide specialists with intriguing questions to be tackled and fresh insights to be distilled from the overall corpus of data that has come upon us. Following are the sections on Gupta-period and Medieval topics, specifically including Numismatics and Architecture. The thematic sections on female protagonists including goddesses, and “Telling Images”, involving particularly painstaking case studies, conclude the volume. In terms of geography, the topics range from the Indo-Iranian region in the west to peninsular Southeast Asia in the east, with India forming the hub.




Foreword — Lokesh Chandra
  Against all Odds, a Historian of Indian Visual Arts — Gérard Fussman
  Acknowledgements 
  Bibliography of Doris Meth Srinivasan’s Publications (with a Biographical Note)
  List of Contributors
  Colour Plates

I. EARLIEST ISSUES
Classical Indology, Archaeology & Art History
 1. On Ancient Indian Ox-Carts, Biers, Beds and Thrones: A propos of Sanskrit sakati-/sakata-and its Etymology
  — AskoParpola
 2. Terracotta Images from Ropar (Punjab)
  — ArundhatiBanerji
 3. A Small Composite Creature in Bronze from Kausambi in the Asian Art Museum, Berlin
  — CorinnaWessels-Mevissen
 4. Vrsnis in Ancient Art and Literature 
  — Vinay Kumar Gupta

II. INVESTIGATING ALL THINGS KUSHAN
Numismatics, Architecture & Art History
 5. The Structure of the Coinage of the Great Kushans
  — David W. Mac Dowall
 6. Tangible Ties with Sakyamuni in Gandhara
  — ShoshinKuwayama
 7. Enthroning the Buddha’s Relics in Gandhara: The Classical Lexicon of the Stupa Base
  — Pia Brancaccio
 8. On the Iconography and Identity of KushanManaobago
  — FabrizioSinisi
 9. The Numismatic Chronology of Mathura and its Bearing on Art
  — ShailendraBhandare
 10. Forms, Models and Concepts: Regionalism and ‘Globalism’ in Gandharan Visual Culture 
  — Anna Filigenzi

III. THE GUPTA ‘GOLDEN’ AGE
Numismatics & Art Historical Theory
 11. From Third Grade to Top Rate: The Discovery of Gupta Coin Styles, and a Mint Group Studyfor Kumāragupta I
  — Ellen M. Raven
 12. Gupta Art as Classical: A Possible Paradigm for Indian Art History
  — Robert L. Brown

IV. MEDIEVAL MATTERS
Architecture
 13. Decoding Origins for India’s Temples
  — Michael W. Meister
 14. Kashmiri Temples: A Typological and Aedicular Analysis
  — Adam Hardy
 15. The Sakunika-vihara of Brgukaccha (Bharukaccha)
  — M.A. Dhaky

V. TALES OF GODDESSES AND EXALTED WOMEN
Classical Indology & Art History
 16. Redressing the Undisrobing of Draupadi
  — VishwaAdluri& Alf Hiltebeitel
 17. Snakes, Crocodiles and Lizards: Protective Goddesses in Medieval India
  — John Guy
 18. No Head, no Arms, no Legs: An Image of the Warrior Goddess from Si Thep, Thailand
  — Peter Skilling
 19. The Karpuramanjari Motif in Indian Art
  — Devangana Desai

VI. TELLING IMAGES
Art History & Cultural History
 20. Heavenly Relics – The Bodhisatva’s Turban and Bowl in the Reliefs of Gandhara and Andhra(including Kanaganahalli)
  — Monika Zin
 21. Soma: Sapling that Sprouted in the Himalayas, to Grow up as Guardian God of the North!
  — Kirit L. Mankodi
 22. A Neglected Universe: Navagraha Stone Panels at Gaya and Related Sculptures from 
  Other Parts of Bihar
  — Gerd J.R. Mevissen
 23. Images of Conflict and Recovery at the Tibetan Buddhist Monastery of Kangwu
  — Chandra L. Reedy


CorinnaWessels-Mevissen is an independent researcher affiliated with the Asian Art Museum, Berlin, Germany. She studied Indian Art History, Archaeology, and Sanskrit at the Christian-Albrechts-Universitatzu Kiel and at the FreieUniversitat Berlin (M.A.; Ph.D.). She served as Guest Lecturer at the former Institute of Indian Philology and Art History, FreieUniversitat Berlin (2001; 2008), and as Guest Curator (2003–04) and Curator (2006–07) at the former Museum of Indian Art (since 2006 part of the Asian Art Museum, Berlin). In 2009, she was appointed One-Year Fellow at the Morphomata International Center for Advanced Studies, University of Cologne. She has authored the monograph The Gods of the Directions in Ancient India (2001) as well as various research articles on ancient Indian archaeology and art, and made contributions to exhibition catalogues and encyclopaediae.

Gerd J.R. Mevissen is an independent researcher affiliated with the Asian Art Museum, Berlin, Germany. He studied Architecture at the TechnischeUniversitat Berlin (Dipl.-Ing. Arch.), and Indian Art History at the FreieUniversitat Berlin (M.A.). He served as Lecturer at the former Institute of Indian Philology and Art History, FreieUniversität Berlin (1990–95), and as Curator at the former Museum of Indian Art, Berlin (2000–02). He is executive editor of the research journal Berliner IndologischeStudien / Berlin Indological Studies (since 1995) and, formerly, of Indo-AsiatischeZeitschrift (Berlin; 1997–2017). He has also edited several volumes of collected papers (since 1991), and has published numerous research articles on ancient Indian art and iconography (Hindu, Buddhist, Jain), often focussing on the systematic documentation of groups of minor deities, such as Navagrahas.

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