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Home / Architecture / ASCETICS, PIETY AND POWER: Saiva Siddhanta Monastic Art in the Woodlands of Central India
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  1. Home > Architecture > ASCETICS, PIETY AND POWER: Saiva Siddhanta Monastic Art in the Woodlands of Central India
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ASCETICS, PIETY AND POWER: Saiva Siddhanta Monastic Art in the Woodlands of Central India

ASCETICS, PIETY AND POWER: Saiva Siddhanta Monastic Art in the Woodlands of Central India

By :- R.N. Misra

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Type: English

Pages: xii+218

Format: Hard Bound

ISBN-13: 978-81-7305-605-5

Place: New Delhi

Edition: 1st

Publisher: ARYAN BOOKS INTERNATIONAL

Size: 22cm x 28cm

Product Year: 2018

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  • Book Description
  • Table Of Content
  • Authors Details


The book attempts to recapture the material milieu, spiritual anchorage and power and authority of SaivaSiddhanta ascetics in the Vindhyan woodlands of central India during the early medieval times. In doing so, it also highlights contradictions that coupled renunciation with acquisitive monasticism, piety with power, and militancy with asceticism. The details tend to betray territorial ambition of the renouncers who carved out a vast network of prosperous mathas— the spectacular structures generally ignored in our studies so far— as their strongholds amidst the raw and hazardous woodlands (atavis) lived by indomitable autochthons (atavikas). The book highlights the renouncer-woodlander coalition institutionalized under the monasteries, temples and sculpture. Sculptures among these, in particular, portray queer female deities, fierce goblins, banshees and ascetics too, all integrated with conventional divinities, which composed the Saiddhantika monastic art and architecture.




Preface and Acknowledgements 

 1. Introduction: Settings of Monastic Art and its Makers 
  Saiva-Siddhanta 
  Ataviand Atavikas 
  Gopacala in Profile 
  Marginalised State of Polity in Gopacala and Dahala 

 2. Ascetics 
  Descent and Lineages of Siddhanta Ascetics 
  DaksinaKosala 
  Kadambaguha 
  Aranipadra 
  Madhumati 
  Tripuri 
  Ascetics and Piety 
  Ascetics and Economic Resources 
  Ascetics and Power 

 3. Monastic Architecture: Mathas 1 
  Architectural Features 
  Kadwaha: History and MathaArchitecture 
  Surwaya 
  Terahi 
  Amardaka (Amrol) 
  Ranod 

 4. Monastic Architecture: Mathas 2 
  Chanderi and Thubon 
  The Mathas in Dahala Region 
   Golaki(golagnika) Mathaof Gurgi 
   The Now Extinct Mathasat Bilhari and Maihar 
   Chandrehe 
  Architecture of the ChandreheMatha 
  Chunari 
  Kodal 
  Concluding Remarks 

 5. Monastic Temples and Sculptures 
  Temples 
   Terahi 
   Surwaya 
   Chandrehe 
   Kadwaha 
   Kodal 
  Sculptures 
  Figural Imagery 
   The First Phase (7th to 9th century) 
   The Second Phase (10th to 12th century) 

  Maps:
   Map 1.Vindhyatavi: The environs of Terahi and Mahua. 
   Map 2.The group of sites at Kadwaha. 
   Map 3.Saivite monasteries in central India, 7th-14th centuries. 

  Diacritical Symbols and Glossary 
  Select Bibliography 
  Index 


Professor R.N. Misra taught at the Universities of Saugor, Gwalior and Allahabad (1959-2001) and was also a Fellow of Indian Institute of Advanced Study (1973-75; 2002-05) and Tagore National Fellow (2012-15) affiliated to the Archaeological Survey of India. 
The books he authored include Bharhut (in Hindi, 1971), Ancient Artist and Art Activity (1975), Indian Sculptures (in Hindi: 1978, 2002, 2008), Yaksha Cult and Iconography (1981), Sculptures of Dahala and DaksinaKosala (1987), Ancient Indian Society, Economy and Religion (in Hindi, 1991, 1994), Silpa in Indian Tradition (2009) and Outlines of Indian Arts (edited, 2014).

 

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