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  1. Home > Archaeology > THE KANAGANAHALLI STUPA: An Analysis of the 60 Massive Slabs Covering the Dome
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THE KANAGANAHALLI STUPA: An Analysis of the 60 Massive Slabs Covering the Dome

THE KANAGANAHALLI STUPA: An Analysis of the 60 Massive Slabs Covering the Dome

By :- Monika Zin

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Type: English

Pages: xx+242

Format: Hard Bound

ISBN-13: 978-81-7305-589-8

Place: New Delhi

Edition: 1st

Publisher: ARYAN BOOKS INTERNATIONAL

Size: 22cm x 31cm

Product Year: 2018

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  • Book Description
  • Table Of Content
  • Authors Details


The book delivers a profound analysis of the 60 monumental slabs which covered the dome of the as yet relatively unknown stupa at Kanaganahalli (Karnataka), one of the greatest discoveries of the Archaeological Survey of India in the 20th century. The study presents a stylistic examination of the reliefs and tentatively determines their original sequence. Using the Prakrit inscriptions on the slabs, as well as textual sources in Sanskrit, Pali, and Chinese, the book analyses the contents of the representations and provides comparative pictorial material from Andhra, Ajanta, Sanchi, and Bharhut (159 colour plates). The Kanaganahalli slabs are illustrated in clearly legible line drawings made by the author which have been arranged in the order that a visitor to the Adhalakamahacaitya would have seen them while circumambulating the monument. The book is intended for researchers and lay readers interested in Buddhism and ancient Indian art and culture.




  Acknowledgments  
  List of Illustrations 

  Introduction  
   Preliminary Remarks 
   Original Sequence of the 60 Large Slabs of the KanaganahalliStupa 
   East→South Quadrant  
   South→West Quadrant  
   West→North Quadrant  
   North→East Quadrant  
   Concordance of the Numbers of the Slabs and their Placing at theStupaDome  
    (in some cases hypothetical) 
   Diagram
   On the Relationship between the Order and the Content of the Slabs 
   General Remarks on the Subjects Represented in Kanaganahalli 
   Exploring Possibilities Regarding the Identification of the Pictorial Representations on the Slabs 

  Descriptions and Analysis of the 60 Massive Slabs at the KanaganahalliStupa 
   East→South Quadrant  
    1 (1), No.56, Vidhurapanditajataka I  
    2 (2), No. 57, Vidhurapanditajataka II  
    3 (3), No. 55, Sadhinajataka I  
    4 (4), No. 54, Sadhinajataka II  
    5 (5), No. 53, Sutasomajataka I  
    6 (6), No. 52, Sutasomajataka II  
    7 (7), No. 10, Sujata and Nagaraja 
    8 (8), No. 12, Veneration of the Tree  
    9 (9), No. 06, Acrobats  
    10 (10), No. 58, SimukhaSatavahana 
    11 (11), No. 26, Descent from the Trayastrimsa Heaven  
    12 (12), No.04, Saptaparna Cave  
    13 (13), No. 07, Sakyavardhana / Indrasaila 
    14 (14), No. 02, Maya  
    15 (15), No. 03, Bodhisatva’s Descent as Elephant / Flying Gods  

   South→West Quadrant  
    1 (16), No. 01, Interpretation of Maya’s Dream / Cakra 
    2 (17), No. 05, Birth of the Buddha / Flying Gods 
    3 (18), No. 08, Leaving of Kapilavastu 
    4 (19), No. 09, Ascension of Turban  
    5 (20), No. 11, Maravijaya 
    6 (21), No. 14, Soldiers Approaching  
    7 (22), No. 15, Distribution of Relics  
    8 (23), No. 17, Transport of Relics I  
    9 (24), No. 16, Transport of Relics II  
    10 (25), No. 13, Khalatika Mountain  
    11 (26), No. 18, King with Child in the Litter / King in the Chariot  
    12 (27), No. 19, King in the Chariot / King on Elephant  
    13 (28), No. 20, Man in the Litter / Riders on Lions  
    14 (29), No. 22, Yaksas in the Himalayas  
    15 (30), No. 36, Asoka  

   West→North Quadrant  
    1 (31), No. 24, Visvantarajataka I  
    2 (32), No. 25, Visvantarajataka II  
    3 (33), No. 31, Leaving of Kapilavastu
    4 (34), No. 28, Two Monks Teaching / Women and Girls  
    5 (35), No. 32, Ascension of Turban  
    6 (36), No. 23, Velamajataka 
    7 (37), No. 27, Mucalinda / Mahagovinda 
    8 (38), No. 38, BodhisatvaKusa 
    9 (39), slab without number, ?
    10 (40), No. 29, Hamsajataka / Sukajataka 
    11 (41), No. 39, Pulumavi Donating Ujjayini 
    12 (42), No. 30, SundaraSatakarni 
    13 (43), No. 33, Stupa /Building with Relics  
    14 (44), No. 34, Bodhi Tree / Lion Pillar  
    15 (45), No. 00, Asoka / BodhisatvaSomarata 

   North→East Quadrant  
    1 (46), No. 37, Stupa/ NagaPandaraka 
    2 (47), No. 35, Dharmacakra / Building  
    3 (48), No. 59, Satakarni Donating to Monks  
    4 (49), No. 40, Matalaka 
    5 (50), No. 44, ? / Raksasa in Pond  
    6 (51), No. 41, Saddantajataka I  
    7 (52), No. 42, Saddantajataka II  
    8 (53), No. 43, Saddantajataka III  
    9 (54), No. 46, Stupa inRamagrama / Building  
    10 (55), No. 48, Cakravartin with Seven Jewels  
    11 (56), No. 45, Mahakapijataka 
    12 (57), No. 49, Maravijaya / Udayana 
    13 (58), No. 50, Maravijaya / Syamavati 
    14 (59), No. 51, Senakajataka / Kumara A…  
    15 (60), No. 47, Maravijaya / Sakya Woman  

  Notes and References 
  Plates 
  Figures 
  Bibliography  
  Index 


Monika Zin taught Indian art history at the Ludwig-Maximilans-Universitat in Munich and the Freie Universität Berlin from 1994 to 2016. Among her research contributions are monographs such as Ajanta: Handbook of the Paintings. Devotional and Ornamental Paintings, Harrassowitz 2003 (English edition currently pending publication at the IGNCA); Compassion and Miracles: Difficult Conversions and Their Icono­graphy in Indian Buddhism (in German, Harrassowitz 2006); Samsaracakra: The Wheel of Rebirth in the Indian Tradition (together with Dieter Schlingloff, in German, EKŌ House of Japanese Culture, 2007) and numerous articles on the identification of narrative art and Indian drama. Since 2016, Prof. Zin has led the research team of the Centre ‘Buddhist Murals of Kucha on the Northern Silk Road’ at the Saxon Academy of Sciences in Leipzig/Leipzig University.

 

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