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HINDU AND BUDDHIST MONUMENTS AND REMAINS IN SOUTH-EAST ASIA

HINDU AND BUDDHIST MONUMENTS AND REMAINS IN SOUTH-EAST ASIA

By :- Amar Nath Khanna

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Pages: xxviii+178

Format: HB

ISBN-13: 978-81-7305-348-1

Place: New Delhi

Edition: 1st

Publisher: ARYAN BOOKS INTERNATIONAL

Size: 22cm x 28cm

Product Year: 2008

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  • Book Description
  • Table Of Content
  • Authors Details


Indian religious art and culture have exercised an extraordinary influence on South-East Asia (earlier called Greater India or Further India). All across South-East Asia, Indian religious world inspired the raising of astonishing monuments, some of which remained unequalled even in the mother country. The Sailendra (Lords of Mountains) rulers of Java (Indonesia) built the magnificient ninth century Mahayana Buddhist stupa of Borobudur, the largest Buddhist monument in the world and an invaluable heritage of mankind. At a short distance was built the great Hindu complex of Prambanan. In central Myanmar, more than 2,000 red-brick temples and monuments mark the city of Pagan, for 400 years the capital of people who also dedicated much of their labour and wealth to the service of their faith. Angkor in Cambodia can boast of the world?s largest religious monument and most inspired and spectacular temple complex in the world, which is dedicated to Vishnu. Ayutthaya, a vast and majestic city of Thailand, has 400 splendid temples. In Vietnam, three important groups of temples are My Son, Dong Duong and Po Nagar, the second being Buddhist and the other two Saivite. The first royal Sivalinga in South-East Asia was established at My Son and the oldest Sanskrit inscription was found in a village called Vo Canh near Nha Trang in the southern part of Vietnam. Wat Phou is Laos? own mini-Angkor. It preserves the glory of Hinduism far away from the land of its origin, the Indian sub-continent. To know Indian art in India alone, is to know but half its story. To apprehend it to the full; one must watch it assuming new forms and breaking into new beauties as it spreads over Myanmar, Thailand and Vietnam; one must gaze in awe at the unexampled grandeur of its creation in Cambodia and Java. In each of these countries, Indian art encounters a different racial genius, a different local environment, and under their modifying influence it takes on a different garb. Therefore the art of each and everyone of these countries is complimentary to the rest and a knowledge of each, such as this book provides, is indispensable to our understanding of the whole.




PREFACE ACKNOWLEDGEMENTS LIST OF ILLUSTRATIONS INTRODUCTION 1. CULTURAL INTERFACE OF INDIA WITH SOUTH-EAST ASIA MYANMAR (BURMA) 2. Sri Ksetra 3. Bagan (Pagan) 4. Mandalay 5. Yangon (Rangoon) THAILAND (SIAM) 6. Dvaravati 7. Nakhon Si Thammarat (South Thailand) 8. Chaiya (South Thailand) 9. Nakhon Ratchasima (Khorat) (North-East Thailand) 10. Sukhothai and Phitsanulok 11. Si Satchanalai 12. Chiang Mai 13. Ayutthaya 14. Bangkok CAMBODIA (KAMBUJA) 15. Fu-Nan 16. Cambodia 17. Angkor Wat 18. Angkor Thom 19. Benteay Srei 20. Preah Khan 21. The Bayon LAOS (LAVA) 22. Laos 23. Luang Prabang 24. Vientiane 25. Champassak and Wat Phou VIETNAM 26. Champa 27. Vietnam 28. My Son: Central Region of Vietnam 29. Da Nang (Central Vietnam) 30. Phan Thiet 31. Phan Rang MALAYSIA 32. Malaysia 33. Kedah 34. Bujang Valley 35. The Kinta Valley (Perak) 36. Gunung Santubong (Sarawak, Malaysia) SINGAPORE (SIMHAPURA) 37. Singapore 38. The Asian Civilisations Museum and the National Museum, Singapore INDONESIA 39. Indonesia 40. Caitra Festival (Bubat, Sumatra) 41. Borobudur, Java 42. Prambanan, Java 43. The Javanese Gold: The Wonoboyo Hoard 44. Banten (West Java) 45. Bali 46. Lombok SULTANATE OF BRUNEI, MALAYSIA AND INDONESIA 47. Borneo (Barhi?a-Dvipa) Muara Kaman, District Koti THE PHILIPPINES 48. Manila APPENDICES Appendix I : South Korea: (a) Daegu, (b) Busan (Pusan), (c) Gyeongju, (d) Bulguk-sa and (e) Seokguram Appendix II : Gurdwaras in Myanmar, Malaysia, Singapore and Philippines Appendix III : List of Gurdwaras in Malaysia and Singapore in Chronological Order ? State-wise 159 Appendix IV : Sagarika Bibliography Index


Shri Amar Nath Khanna was born at Multan in West Punjab in 1936. He holds a Master?s degree in History and a Post-Graduate Diploma in Archaeology from the School (now Institute) of Archaeology, Archaeological Survey of India, New Delhi. Shri Khanna has had the rare opportunity of visiting and studying monuments and pilgrim shrines scattered all over the Indian sub-continent as well as in South-East Asia, China and Japan during the last half a century. He retired as Senior Technical Officer, Indira Gandhi National Centre for the Arts in 1996 while earlier he had been working as a Senior Officer with the President of India. In 1998, he was invited again by Shri R. Venkataraman, former President of India, to work with him even after retirement. He had been the Registering Officer for Antiquities in Himachal Pradesh and was associated with Shri Rajeev Sethi, Padma Bhushan, in the Aditi Exhibition curated by him in the Festival of India, U.S.A., the Basic Human Needs Pavilion set up in Expo 2000, Hanover, Germany and Celebration of 150 years of the First War of Independence, 1857, in 2007. He was associated with Smt. Pupul Jayakar, Adviser to Prime Minister on Heritage and Cultural Resources, in the Festivals of India held in the U.S.A. and Japan and the Year of India in France. He was a Member of the Presidential Delegations to Japan in 1990 and China in 1992. Shri Khanna?s book Archaeology of India was published in 1981. Its revised and enlarged edition which covered Pakistan and Bangladesh also was published in 1992 and was highly appreciated among others by the President of India and Dr. Karl Khandalavala. His book Pilgrim Shrines of India, published in 2003, has won appreciation of H.H. Jagadguru Shri Shankaracharya, Dakshin Aamnaya, Sringeri. Shri Khanna has also edited four books, the latest being The Diverse World of Indian Painting, Aryan Books International, New Delhi, 2008. Shri Khanna?s research papers have been published in leading journals in India. Curren

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